Head of a Women, 1975

Michel & Andree Hirlet

Certificate of Authenticity Included

Michel & Andree Hirlet
Ceramic
38 W x 39 H x 19 D cm
Signed by Artist
France

This particular work exemplifies their use of chamotte stoneware and custom glazes, where the human figure is stylized into bold, architectural shape.

SKU: EU-SC-HIRLET-5 Categories: ,
Details
Dimensions
38 W x 39 H x 19 D cm / 16 Kg
Authenticity
Certificate is included
Packaging
Ships in a crate
Shipping & Returns
Delivery Cost
Domestic courier cost confirmed by email after purchase. International and intercontinental costs calculated at checkout.
Delivery Time
Dispatched within 3–6 business days. Once shipped via DHL Express: 1–2 business days within Europe, 2–3 business days worldwide. Customs clearance may add time.
Returns
Conditional returns only. Transit damage must be reported within 48 hours of delivery; authenticity disputes within 14 days.
Handling
Ships in a crate for additional protection of heavy or oversized artworks. Artists are responsible for packaging.
Ships From
Middle East
Artist

Michel & Andree Hirlet

Andrée (1936-) and Michel Hirlet (1936-2020) are a Paris-based duo of ceramicists, who have been creating together for decades. Their story began in 1958 at the École des Métiers d’Art, then housed within the walls of what would later become the Picasso Museum.

The Hirlets are known for their uncompromising craftsmanship: they produce their own chamotte stoneware, prepare their glazes from scratch, and blend pigments to achieve the exact hues they envision. Every stage of the proces, from material creation to firing is carried out by their own hands.

Their distinctive style emerged from a technical challenge. While shaping monumental forms, they were forced to cut them to fit inside the kiln. Refusing to slice them crudely, they instead fragmented the pieces in a way that gave rise to what they call combinatory volumes: geometric figures that interlock, overlap, and nest together, with the seams themselves becoming graphic elements.

Today, their work stands as a testament to innovation born from constraint, an exploration of geometry, material, and the poetic interplay of form.

New York Times article